Minggu, 31 Januari 2010

[Q433.Ebook] Ebook Free Exim: The Mail Transfer Agent, by Philip Hazel

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Exim: The Mail Transfer Agent, by Philip Hazel

Exim: The Mail Transfer Agent, by Philip Hazel



Exim: The Mail Transfer Agent, by Philip Hazel

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Exim: The Mail Transfer Agent, by Philip Hazel

Exim delivers electronic mail, both local and remote. It has all the virtues of a good postman: it's easy to talk to, reliable, efficient, and eager to accommodate even the most complex special requests. It's the default mail transport agent installed on some Linux systems, runs on many versions of Unix, and is suitable for any TCP/IP network with any combination of hosts and end-user mail software.Exim is growing in popularity because it is open source, scalable, and rich in features such as the following:

  • Compatibility with the calling interfaces and options of Sendmail (for which Exim is usually a drop-in replacement)
  • Lookups in LDAP servers, MySQL and PostgreSQL databases, and NIS or NIS+ services
  • Support for many kinds of address parsing, including regular expressions that are compatible with Perl 5
  • Sophisticated error handling
  • Innumerable tuning parameters for improving performance and handling enormous volumes of mail
Best of all, Exim is easy to configure. You never have to deal with ruleset 3 or worry that a misplaced asterisk will cause an inadvertent mail bomb.While a basic configuration is easy to read and can be created quickly, Exim's syntax and behavior do get more subtle as you enter complicated areas like virtual hosting, filtering, and automatic replies. This book is a comprehensive survey that provides quick information for people in a hurry as well as thorough coverage of more advanced material.

  • Sales Rank: #2723564 in Books
  • Color: White
  • Brand: Brand: O'Reilly Media
  • Published on: 2001-07-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 1.16" w x 7.00" l, 1.97 pounds
  • Binding: Paperback
  • 624 pages
Features
  • Used Book in Good Condition

Amazon.com Review
You can do anything with Sendmail, the saying goes, but why would you want to? The Exim mail-handling daemon is just as capable as the old stalwart of handling everyday electronic mail duties, and far easier to administer. With a style and polish that's typical of the blue-cover series of system administration books from O'Reilly, Exim: The Mail Transfer Agent shows how to set up and use Exim. You'll be very pleased with this book if you've chosen to work with Exim and require better information than the online documentation can provide. Philip Hazel has done a good job of combining a comprehensive set of details--including lots of command listings--with advice and practical examples that will make an administrator's life easier.

Typical of this approach is the treatment of methods for blocking traffic from bad hosts that attempt to mail to your Exim station. The book runs through alternative techniques--using a public blocking list, blocking hosts explicitly, and so on--in series. Each technique is described in terms of what happens and why, and includes listings of the relevant configuration commands. Other sections, such as those concerned with SMTP configuration, are more reference-like. They contain long lists of commands and options, in which the purpose of each is explained. --David Wall

Topics covered: How to set up, configure, and administer the Exim mail-handling agent. Directors, routers, transports, filters, and the integration of Exim with Perl, shell scripts, and database lookups are covered.

Review
'A good book, and one I found I could actually start at the beginning of and read through.' - Andrew Johnson, West Yorkshire Linux User Group 'As this book is written by Exim's author you would expect it to be both authoritative and accurate and it is both of those - there were no glaring errors or omissions in the text. In addition the book is well written and perfectly readable...I have no hesitation in recommending this book to anybody with a need to manage an Exim based mail system of any size.' - Tom Hughes, Cvu, April

About the Author

Philip Hazel has a Ph.D. in applied mathematics, but has spent the last 30 years writing general-purpose software for the Computing Service at the University of Cambridge in England. Since moving from an IBM mainframe to Unix about ten years ago, he has gotten more and more involved with email. Philip started developing Exim in 1995 and is its sole author.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Very Hard Reading
By BRETT ROBSON
I'm reluctant to criticize someone as talented as Philip Hazel who produces such a high quality product, distributes it for free and spends so much time supporting it.
However this book and the online documentation he provides is extremely difficult to use. He admits that he didn't want to write this book and hoped someone else would have. Indeed it would have been better if someone else had.
The book contains an exceptional amount of background information on mail protocols and procedures, and a lot of detail on Exim itself. If I had 5 weeks to read and absorb it all it would be wondersful.
For busy systems administrators using this book is a hard work, finding the information needed is slow and then understanding it is difficult. Dr Hazel's writing style is terse and rather like a mathematical text. There is no fluff in it's 600 pages. I find myself reading sentences repeatedly trying to understand them. Also the implications of certain information is not made obvious.
His lack of realistic examples is also a serious short coming. He glosses over remote access of mail via POP, IMAP and SMTP authentication even though this is the most common way of accessing mail these days. I would especially like to see discussion of an ISP type mail server with multiple domains, which is lacking.
Finally, there is lack of reference material in the appendices, a short form listing of command options and configuration options would be a great addition.
Warning: this book is for version 3 and version 4 is now available although version 3 is still used.

4 of 4 people found the following review helpful.
Good supplement to official documentation
By E. L. Green
This won't replace the official documentation -- especially since it covers an old outdated version of EXIM -- but covers enough to be worthwhile as a supplement. Still, I was rather disappointed that much of what I was trying to do (such as set up spam filtering) wasn't covered by the book, and that I had to go online and read through back mailing list archives and read official documentation to get the job done. From any other publisher I wouldn't feel too bad about that, but from O'Reilly I expect better.

4 of 4 people found the following review helpful.
Out of date, but still a good starting point
By A Customer
Exim is fairly straightforward for an MTA, though I found I needed to understand a bunch of concepts before I knew what Exim was doing. Exim: The Mail Transfer Agent does an excellent job of covering those concepts, much better than the official documentation, and for that this is essential reading for Exim users. This is the 1st edition, however, and only covers Exim release 3, so many of the important things that you might want to do with Exim that are easy to do in Exim 4 are not covered. You will need the official Exim website to complete your education and get up and running.
You might want to try using just the official documentation from the website and a good sample configuration file before buying this outdated book. (The Debian Linux installation of Exim comes with an excellent, well-commented default configuration.) If you get lost (like I did), buy this book used (like I didn't).
A new edition covering Exim 4 would easily get a 5 star review and earn a permanent spot on my bookshelf. Some quick reference appendicies and tables and an improved index, such as those common to most newer O'Reilly titles, would also be nice.

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Selasa, 26 Januari 2010

[R416.Ebook] Download PDF Leonardo da Vinci: Quotes & Facts, by Blago Kirov

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Leonardo da Vinci: Quotes & Facts, by Blago Kirov

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Leonardo da Vinci: Quotes & Facts, by Blago Kirov

This book is an anthology of 115 quotes from Leonardo da Vinci and 90 selected by Blago Kirov facts about Leonardo da Vinci. It grants Leonardo's reflections on subjects ranging from the Human misery to his Will to break into the Providence of God.

Some Facts:

Leonardo was born on April 15th, 1452, on a Saturday, at ten-thirty at night.
Leonardo was the first to explain why the sky is blue.
Leonardo never married nor had children.
Leonardo was rumoured to have been homosexual by his contemporaries.
As a young man, Leonardo was jailed for two months over charges of sleeping with a young male prostitute.
Leonardo began painting The Mona Lisa in 1503, and carried it around with him for most of the rest of his life.
Leonardo sold The Mona Lisa to King Francis I in 1516 for 4,000 ecus, approximately 100,000 US dollars.

His Words:

Human misery Oh, how many things you surrender for the money!
Study the science of art and the art of science.
A work of art is never finished, only abandoned.
Art lives and dies limits of freedom.
Mediocre is the pupil who does not surpass his master.
That painter who has no doubts will achieve little.
Good judgment comes from good intelligence and good intelligence derived from the right, taken from the good rules, and good rules are daughters of good experience: common mother of all sciences and arts.

  • Sales Rank: #1947916 in eBooks
  • Published on: 2014-02-15
  • Released on: 2014-02-15
  • Format: Kindle eBook

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Selasa, 12 Januari 2010

[F638.Ebook] PDF Download Art and the Bible (IVP Classics), by Francis A. Schaeffer

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Art and the Bible (IVP Classics), by Francis A. Schaeffer

"The lordship of Christ should include an interest in the arts," writes Francis Schaeffer. "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."

  • Sales Rank: #34239 in Books
  • Brand: InterVarsity Press
  • Published on: 2006-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .30" w x 4.25" l, .17 pounds
  • Binding: Mass Market Paperback
  • 95 pages

Review
"Recommended for those interested in creativity, arts in worship, and art as it relates to biblical history." (Carolyn Egolf, Congregational Libraries Today, January/February 2009)

From the Publisher
Features & Benefits *A new edition of an IVP classic *Written by a respected theologian with a deep interest in the arts *Suggests eleven perspectives within which a Christian view of art can take shape

About the Author
Francis A. Schaeffer founded the L'Abri Fellowship in Switzerland and was the author of many books, including The God Who Is There. Until his death in 1984, he was also a noted speaker with a worldwide ministry. His ministry continues through his books, with over two million copies in print.

In a career that spans 30 years, Michael Card has recorded over 31 albums, authored or co-authored over 24 books, hosted a radio program, and written for a wide range of magazines. An award-winning musician and performing artist, he has penned such favorites as "El Shaddai," "Immanuel" and many other songs. He has branched his ministry beyond music and written numerous books, including A Sacred Sorrow, A Violent Grace, The Parable of Joy and Sleep Sound in Jesus (a children's book). He has also written the Biblical Imagination Series, with a book and accompanying music CD for each of the four gospels. A graduate of Western Kentucky University with a bachelor's and master's degree in biblical studies, Card also serves as mentor to many younger artists and musicians, teaching courses on the creative process and calling the Christian recording industry into deeper discipleship. Card lives in Tennessee with his wife and four children.

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4 of 4 people found the following review helpful.
Art and the Bible: A must read for anyone interested in the arts
By Robert Pruitt
Francis Schaeffer's book Art and the Bible is a classic when it comes to developing a Biblical theology of the arts or in thinking about theology and the arts Christianly. Almost every book about the arts or theology in the arts, from a Christian worldview that has come out since this book was first published in 1973, references Schaeffer's Art and the Bible. The book began as two separate essays, the first essay is Art and the Bible and the second is Some Perspectives on Art. These separate essays were combined and published as the comprehensive and concise book Art and the Bible.

In this thought provoking and essential work advocating for the arts, Schaeffer outlines a sound Biblical apologetic for the arts. Schaeffer addresses all types of art from architecture, to statuary, bas-relief, poetry, painting, music, drama and dance, to the art of Heaven itself. The Biblical support of art of all kinds is presented clearly by Schaeffer who walks the reader carefully and thoroughly through important supportive passages in both the Old and New Testaments.

In the book's foreword, by Michael Card, added in the revised 2006 edition, Card says, "this book, a primer on Biblical creativity, [seeks] to drum into us the idea that we create out of our worldview and that it is our responsibility to align that point of view with scripture before we continue on." Card rightly highlights one of Schaeffer's main points that the artist should "take seriously the Lordship of Christ in every aspect of their creative lives."

25 of 25 people found the following review helpful.
Essential for Christians & non-Christians on impact of art
By A Customer
This book, a collection of two essays about art and its relationship to Christianity and Christian philosophy is fascinating.
First, one major positive is Schaeffer's calling for the Christian to apply several criteria to art and the evaluation of it. He strongly discourages a purely "romantic" interepretation of art (meaning just how it makes you "feel.") He implores the Christian (and the non-Christian for that matter) to make full use of both intellect and emotion (as well as a host of other criteria.)
The first essay concentrates on what the Bible actually has to say about art. The second essay concentrates on the physical creation of art, intention of art, impact, and several other dimensions of this many-sided subject. It touches on some basic principals of philosophy of art as well as the Christian world view. Also, of extreme importance is the subsection on art within its cultural context.
My only complaint is the short length of the book. Schaeffer occasionally didn't fully explore an idea. I know an exhaustive treatise could never be devised, but this is a lot of subject matter to tackle in a 63 page book. On the other hand though, this concise pamphlet will get his ultimate points across and is accessible to those who don't have philosophy or art history degrees.
This book is a welcome addition to both art criticism and the Christian perspective on art.

5 of 5 people found the following review helpful.
A Good Primer
By A. Langley
Art and the Bible was published in 1973 by Francis Schaeffer and his L'Abri Fellowship as an inquiry into the place of the arts in the Bible and the Christian life. It is now marked as one of the foundational works in the theology of the arts, particularly because of its efforts in developing a specifically biblical theology from an evangelical perspective. The book consists of two essays: the first focusing on what the scriptures say about art; the second elaborating upon a picture of the arts for Christianity.

In the first essay, Schaeffer examines the role of the arts as portrayed in the scriptures, and this primarily in the Old Testament. A common foundation can be seen among those who think and write in the field of theology and the arts, and that is a holistic understanding of creation and humanity in which there stands no true antagonism between the spiritual and the physical, and this thought is what begins Schaeffer's first essay. He arrives at this holistic perspective from the Biblical teaching that God is sovereign over all creation, and he points to four important points he says that the Bible "makes clear", namely:
* God made the whole man
* In Christ the whole man is redeemed
* Christ is the Lord of the whole man now and the Lord of the whole Christian life
* In the future as Christ comes back, the body will be raised from the dead and the whole man will have a whole redemption. (7-8)

The implication drawn from this is that since God is Lord over the whole of man and creation, he is Lord over the creative arts as well.

From this point Schaeffer moves to a discussion on art having to do with worship, and he begins this with one of the most common objections against Christian involvement in the arts: "Thou shalt not make unto thee any graven image" (Ex 20:4-5). He explains that if this is properly interpreted, it can be seen as not a restriction against graven images per se, but against the worship of them. This is evinced in the fact that at the same time God gave the ten commandments, he also gave the instructions for building the tabernacle; in these instructions were included "almost every form of representational art that men have ever known," Schaeffer says. (12). Among these forms of representational art were blue pomegranates. Schaeffer points to this as an indication that God enjoys art that is not necessarily "photographic," but there is freedom for the imagination to expand upon the "real."

From the tabernacle, Schaeffer moves to a discussion on the artistic nature of the temple. The design of the temple that the Spirit of the Lord handed David (1 Chron. 28:11-12) we see full of non-utilitarian art. In 2 Chron. 3:6, for example, Solomon "garnished the house with precious stones for beauty." From this, Schaeffer rightly concludes that "God is interested in beauty" (15). Also he importantly notes that we see more than specifically religious subject material used in worship-related art, which means that "specifically religious subjects are not necessary for art" (19).

Next, Schaeffer considers the "secular art" of Solomon's day. This secular art of which he speaks is Solomon's throne, described in (1 Kings 10:18-20). However, it seems questionable whether or not Solomon's throne would be considered "secular." As Israel was a theocracy, it seems as though it would be difficult to make such a distinction between "secular" and "religious" art. What would seem to be more appropriate would be to look at the arts in the other cultures surrounding Israel at that time, which he does not do.

In his discussion poetry, Schaeffer, using an example from the Septuagint of David singing, shows that art does not have to be put into the temple in order for it to give praise to God. He also points to the Song of Solomon as an example of secular art that has been inspired, in a way, by God.

From poetry, Schaeffer shows that drama and dance too is not only allowed but are used and encouraged in the Bible. Ezekiel plays out a drama as a prophesy, and David danced victoriously in his ephod. Schaeffer does right to point out that simply because someone does something in the Bible does not mean that it is prescriptive. Finally, pointing to the music and song in Revelation 15:2-3, Schaeffer shows that God has a plan for the arts even in the afterlife. Schaeffer's work in providing these examples of the arts from the Bible is an invaluable tool with which to counter the attitudes that express some contempt for the arts. However, because virtually all of the examples are taken from the Old Testament, it might loose weight to a reader who interprets the New Testament as being a switch from the physical to the spiritual.

In his second essay entitled "Some Perspectives in Art", Schaeffer enumerates eleven perspectives from which a Christian can view art. He begins with what he says is the most important point for Christians to consider, namely that a work of art has intrinsic value. Schaeffer says that it is "not something we merely analyze or value for its intellectual content. It is something to be enjoyed" (34). It has this value because it is a creative work, and creative work has value because it is a product of our being made in the image of God. While Schaeffer is on the right track with these thoughts, he seems to be a bit myopic in his understanding of art. It is true that art is not simply to be analyzed for its intellectual content, however that is at least part of what we do with art. He seems to acknowledge this later by chiding the "art for art's sake" perspective. He goes on to say that art is something to be "enjoyed" in and of itself, yet he seems to forget that some art is not "enjoyed," especially art that is prophetic in nature. In his first essay he pointed to Ezekiel performing the prophetic "drama" for Israel, and Schaeffer affirmed this as art. Yet was Ezekiel's drama "enjoyed" in and of itself apart from its intellectual content? The point of prophetic art is not to be "enjoyed," but on the contrary, to be disruptive to a people's status quo.

Next, Schaeffer touches on the interesting notion that "the effect of any proposition, whether true or false, can be heightened if it is expressed in poetry or in artistic prose rather than in bald, formulaic statement" (38-39). This is a point well made, and an important one to consider, though it is unfortunate he did not spend more time elaborating upon this.

His third point addresses the continuity or discontinuity with normal definitions in a work of art. He applies this not only to the use of words (in poetry and prose), but in the visual language of symbols as well. He suggests that there must, for greatest effect, be not too great a discontinuity. Innovation is good, but when one diverges too far from the norm (such as in total abstract painting), something is lost in the piece of art.

Fourth, he states that simply because something is "art" does not mean that it is "sacred." This he ties into his second point, that the propositions contained in a piece of art can be false.

Schaeffer next moves to the four criteria by which he believes art should be judged. First, art should be judged by its technical execution. If art is done with technical excellence, Schaeffer says that the artist should be praised even if he differs in worldview. This is a particularly challenging and needed statement since many Christians reject art completely if it differs even slightly from their version of Christian truth. Next, art should be judged by its validity: whether or not the artist has been honest to himself in the creation of his art. At this point Schaeffer criticizes any art that is created for financial reason, labeling it "invalid." This is, however, an invalid criticism because of its myopic idea of what the creative mind is and what its parameters are. For example, if this criteria were applied to the art of filmmaking there would be few--if any at all--that meet it. Film is a corporate art, an art that involves more than one mind, and thus involves individual creative ideals bending to one another in cooperation and, often, compromise. Likewise, the sheer amount of financial resources that are required to produce a film entail a kind sensitivity to those who will watch it. Rather than automatically labeling any art "invalid" that is done for a patron, the art should be judged by how "valid" it is within its parameters (e.g., the patron's wishes, the public's interest, etc.). The third criteria Schaeffer says art should be judge by is whether or not the worldview it espouses is consistent with the scripture, and this he says can actually be accomplished by the non-Christian, and can sometimes not be accomplished by the Christian. The last criteria is how well the content of the art matches its form. The example he uses for this is T.S. Eliot's The Wasteland: in it the broken nature of the message was reflected in the broken form in which it was written.

Regarding style, Schaeffer says that it changes as language changes, but that the Christian should have these three elements in his style: it should be the style of his day, it should be indigenous to where he is geographically, and it should reflect the Christian worldview. In his next point, he asserts that while there is no "godly" or "ungodly" style, some styles become symbolic of a certain message, and thus styles must not be used unthinkingly.

Schaeffer then suggests that Christian art has a place for both major and minor themes--minor themes that uncover the lostness and brokenness of man, major themes that offer a positive perspective in light of redemption--but the emphasis should be on the major themes. He does make room for individual pieces of art to show only minor themes, but he says that the full body of the artists work should reflect the major. He does well to leave room for exceptions in this, because it should also be considered that the many artists in the Christian community are members of one body; perhaps it is one person's job to focus on minor, and the other person's to focus on redemption.

What makes this pamphlet particularly unique is its depth of focus on what the scriptures say about the arts, but his second essay on Christian perspectives is also helpful in that it attempts to apply more specifically what we find about art in the Bible. In total, Schaeffer's Art and the Bible can serve as a helpful tool especially for the evangelical who needs an introductory Christian perspective on the arts.

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Minggu, 10 Januari 2010

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Jumat, 08 Januari 2010

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  • Sales Rank: #5608364 in Books
  • Published on: 2010-09-25
  • Binding: Hardcover

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Kamis, 07 Januari 2010

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Space Meets Status: Designing Workplace Performance

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Minggu, 03 Januari 2010

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Beautiful Risk, The, by James H. Olthuis

The current dominant models of therapy in Christian as well as non-Christian circles emphasize--in the spirit of modernism--expertise, testing, control, method, rationality, independence, conformity, and cure. James Olthuis’s new relational model of therapy--in tune with what is today called postmodernism--reflects concerns for connection, emotional experience, particularity, multiplicity, and otherness.

  • Sales Rank: #2228609 in Books
  • Published on: 2001-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 6.30" w x 9.26" l,
  • Binding: Hardcover
  • 256 pages

From the Back Cover
The heart is too much a mystery for us to approach its healing as a simple matter of finding and fixing the problem. Methods alone cannot meet the deep, aching need of souls that cry not for solutions, but for connection.

The Beautiful Risk encourages us to trade cure for care, expertise for partnership, and mastery for love. With perspective-shifting insights and examples, Dr. James Olthuis helps us--both counselors and those who come for counsel--to move beyond control and technique and join in a risky but glorious dance of relationship, love, and healing.

About the Author
James H. Olthuis is professor of philosophical theology at the Institute for Christian Studies in Toronto and a psychotherapist in private practice. He has written numerous articles and books, including I "Pledge You My Troth" and "Keeping Our Troth." Jim is a gradfather who roller blades to work.

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7 of 7 people found the following review helpful.
One of the best I have read
By Richard Damiani
I am a graduate student in counseling and a lay counselor at my church who has read many books on counseling and related issues over the years. As a follower of Jesus I have looked for years for a comprehensive paradigm for counseling that begins with faith and never leaves that foundation. This is the best book I have ever read. It is both a philisophy of counseling as a Christian and a very good book on both counseling technique and practice. I have studied everything from fully integrational counseling to extreme Nouthetic counseling, yet no other book has ever approached helping people as Jesus did. I cannot recommend this too highly.

0 of 0 people found the following review helpful.
Five Stars
By sunnylady
THE BEAUTIFUL RISK presents an approach to counseling that, I believe, will prove very helpful to many.

1 of 2 people found the following review helpful.
Book review
By Rose
This is a lovely book and a great encouragement to all those involved in counselling others. It reminds us that we can do little for someone else unless we can contact them in love.

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